After a 10-year hiatus from feature filmmaking, the acclaimed director of "Drive" and "The Neon Demon," Nicolas Winding Refn, is back with his new film, "Her Private Hell." A mysterious mist envelops a futuristic metropolis, unleashing a deadly and elusive entity. A troubled young woman embarks on a quest to find her father, which intersects with that of an American GI who is on a harrowing journey to rescue his daughter from Hell. Refn pays homage to classic slasher directors such as Dario Argento and Brian De Palma, while showcasing some of the year's standout performances from its lead cast. The film features Sophie Thatcher ("Heretic" and "Companion"), Charles Melton ("May December"), and Havana Rose Liu ( "Tuner" and "Bottoms").

Gregg Araki, known for films like "Mysterious Skin" and "Nowhere," returns to direct his first full-length feature in over ten years with the boundary-pushing and irreverent film "I Want Your Sex," which was a breakout at Sundance. “This unconventional rom-com feels like a natural extension of the queer indie pioneer’s sex-positive sensibility, even as he steers things into novel territory,” Peter Debruge wrote in Variety after the festival, highlighting the film’s screwball comedy elements. When fresh-faced Elliot (Cooper Hoffman) lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Olivia Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.

Packed with cast of familiar faces including Callum Turner, Jamie Belle, Elle Fanning, Tracy Letts and Pamela Anderson, Brazilian-Algerian film director Karim Aïnouz carfts a biting satire about the absurdity of the traditional patriarchal family. In an opulent villa beneath the Catalonian sun, American siblings Jack, Ed, Anna and Robert wallow in isolation and their inherited fortune, eschewing the demands of their blind father, and seeking love and validation through each other and their latest designer clothes. When Jack, the eldest brother and linchpin of this family, announces that he is moving in with his girlfriend Martha, blood ties are severed and Ed is forced to uncover the truth surrounding their mother’s death. Generational lies begin to unravel, and the fabric of this family slowly begins to disintegrate.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder) for resurrection. But when she visits the original's star (Gillian Anderson), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium. "Teenage Sex and Death at Camp Miasma" is director Jane Schoenbrun’s ("I Saw the TV Glow") most personal film yet—as well as perhaps their most purely enjoyable. Paying homage to disreputable genres, while imbuing its deeply interrogative nature with a sense of genuine play, Schoenbrun’s film reveals a major turning point in the career of this groundbreaking auteur.

"[...] a gleeful mashup of genres and tones blending bluegrass music, comedy, revenge, and heist-thriller elements into a tasty homestyle buffet full of eccentric characters and thick Southern accents." - John Fink, The Film Stage Starring Matthew McConaughey and Kurt Russell. Deep within the backwoods of rural Oklahoma, charismatic and musically gifted Amziah King (McConaughey) herds a bluegrass-playing band of misfits while overseeing the premier honey-making operation in town. When Amziah’s estranged foster daughter unexpectedly returns, Amziah leaps at the possibility to renew connection and create a family business. But the honey game is ruthless, and Amziah’s rivals threaten to destroy everything he has built.